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NOW PLAYING
SPACEMAN:DADA:ROBOT
Jan.09-24, 8pm COMING SOON
Austin's
one and only true open-mic
Jan.19, 6:30-9pm
The Secret Lives
of the InBetweeners
Feb.06-Mar.07, 8pm
AUDITIONS
None Scheduled
BOX OFFICE
512-478-LAVA
LOCATION
2307 Manor Road
Austin, Texas 78722
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| SEASON 17 ARCHIVE | June 2005 |
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hOle
An Ethos Production
B.
Iden Payne, Austin Critics’ Table 2005 Award Winner: Outstanding
Featured Actress in a Drama: Jo Beth Henderson
Ethos, Austin's premiere avant-garde performance troupe, is proud
to present hOLe, and extraordinary performance installation occurring
Tuesday nights over 9 consecutive weeks in The Yard at The VORTEX.
Viewers may wish to view one or all of the performances. It is
not necessary to have seen the previous episodes in order to enjoy
one night. 16 tons of dirt and partial female nudity.
Recommended for adults.
hOLe is a performance installation based on the discoveries of
a fictitious archeologist, who in the Chihuahuan Desert in 1937,
discovered the artifacts of a previously unknown pre-historic culture
and cosmology. Each performer portrays a dark shaman from a different
tribe who battle for control over a magickal well imbedded in a
large crater.
hOle commandeers The Yard at The VORTEX, and Ethos invites spectators
into a unique performance installation environment to view the Neolithic
performance spectacle.
Featuring:
Michelle Fowler, Jo Beth Henderson, Betsy McCann, Melissa Vogt as
the SHAMANS, and Selina Wright as The OLO
Directed and conceived by Chad Salvata, scenic design by Ann Marie
Gordon, Costumes and body paint by Aerin Holman, Poster photo by
Kenneth Gall. .
About Ethos
Ethos created the boundary-shattering performance installation,
HyperZoo, the space musical
review Pythia Dust (Winner
of Austin Critics' Table Award for Best Original Score) the haunting
Black Tower, the rockin'
ritualistic The 13 Circles,
and the award-winning cybernetic operas, Elytra
and The X&Y Trilogy.
"Award for Unique Theatrical
Experience"
- Austin Critics' Table 2002 for Ethos' HyperZoo.
Ethos is funded in part by the City of Austin through the Cultural
Arts Division and by a grant from the Texas Commission on the Arts.
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